{"id":1875,"date":"2024-02-19T10:16:20","date_gmt":"2024-02-19T10:16:20","guid":{"rendered":"https:\/\/fiammettamichelacci.com\/oeuvre-dart-ladoration-des-mages-de-gentile-da-fabriano\/"},"modified":"2024-02-23T09:04:43","modified_gmt":"2024-02-23T09:04:43","slug":"oeuvre-dart-ladoration-des-mages-de-gentile-da-fabriano","status":"publish","type":"post","link":"https:\/\/fiammettamichelacci.com\/fr\/oeuvre-dart-ladoration-des-mages-de-gentile-da-fabriano\/","title":{"rendered":"Oeuvre d\u2019art: L’Adoration des Mages de Gentile da Fabriano"},"content":{"rendered":"\n
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L’Adoration des Mages de Gentile da Fabriano est indubitablement l’un des tableaux incontournables de la Galerie des Statues et des Peintures de Florence (Galerie des Offices). Avec ses riches dorures, ses personnages \u00e9l\u00e9gamment v\u00eatus, ses animaux exotiques et ses d\u00e9tails saisissants, cette \u0153uvre m\u00e9rite une contemplation prolong\u00e9e. Command\u00e9e en 1423 par Palla di Noferi Strozzi, homme de grande culture, charme et beaut\u00e9.<\/p>\n\n

Palla Strozzi souhaitait offrir sa pr\u00e9cieuse collection de livres \u00e0 la Basilique de Santa Trinita, qui serait install\u00e9e dans la sacristie. En compl\u00e9ment de ce don, il demanda \u00e0 Gentile da Fabriano de r\u00e9aliser une peinture d’une telle splendeur qu’elle t\u00e9moignerait de sa richesse. Il lui aurait certainement demand\u00e9 de ne pas l\u00e9siner sur l’utilisation de l’or et du lapis-lazuli, car il en assumerait les frais. Et c’est ainsi que Gentile acheva la peinture en mai 1423, comme en t\u00e9moigne l’inscription au bas du cadre en bois richement dor\u00e9.<\/p>\n\n

Le Voyage des Mages se d\u00e9ploie de part et d’autre de la toile : dans la lunette sup\u00e9rieure gauche, les Mages se tiennent sur la montagne o\u00f9 ils aper\u00e7oivent l’\u00e9toile com\u00e8te et d\u00e9cident de la suivre ; dans la lunette centrale, ils avancent en procession imposante vers le ch\u00e2teau d’H\u00e9rode, o\u00f9 on les voit entrer dans la lunette de droite. Quelqu’un leur aurait alors indiqu\u00e9 qu’ils ne trouveraient pas ce qu’ils cherchaient, alors la procession changea de direction, et au premier plan \u00e0 droite, les trois Rois se trouvent devant l’Enfant J\u00e9sus. Le plus \u00e2g\u00e9 des trois, Melchior, retire sa couronne et s’agenouille devant l’enfant, qui ne r\u00e9siste pas \u00e0 toucher son front rid\u00e9 de sa petite main. Baldassarre, \u00e0 la peau sombre, s’appr\u00eate \u00e0 faire le m\u00eame geste, tandis que Gaspare, le plus jeune, vient de descendre de son cheval, un serviteur lui \u00f4tant ses \u00e9perons. Derri\u00e8re eux, la procession grouille de personnes et d’animaux : chevaux par\u00e9s de harnais pr\u00e9cieux, l\u00e9vrier, lion, l\u00e9opard, deux singes sur le dos d’un chameau. Et parmi eux, des hommes v\u00eatus de tenues raffin\u00e9es, arborant chapeaux color\u00e9s et chaussures \u00e9l\u00e9gantes. Parmi eux, un personnage se distingue, barbe n\u00e9glig\u00e9e et regard intense, tenant un faucon sur son avant-bras, coiff\u00e9 d’un turban bleu et dor\u00e9 : Palla Strozzi, le commanditaire du tableau, soucieux de ne laisser aucun doute sur celui qui a financ\u00e9 une telle splendeur. \u00c0 ses c\u00f4t\u00e9s, le peintre Gentile da Fabriano est repr\u00e9sent\u00e9 avec un turban rouge, le couvre-chef caract\u00e9ristique de l’\u00e9poque.<\/p>\n\n

Souvent, nous sommes \u00e9blouis par la raffin\u00e9e \u00e9l\u00e9gance de Florence et son art, qui impr\u00e8gnent les rues, les places, les mus\u00e9es. Il est parfois difficile de se rappeler que derri\u00e8re ces \u0153uvres se cachaient aussi des intentions publicitaires ! Tout comme si aujourd’hui nous devions voir, dans une peinture religieuse, un personnage v\u00eatu des marques de luxe les plus c\u00e9l\u00e8bres, nous comprendrions imm\u00e9diatement le message. Dans le pass\u00e9, c’\u00e9tait pareil, mais il est plus difficile pour nous de le percevoir, car le filtre du temps nous laisse d’abord appr\u00e9cier la beaut\u00e9 de ce que nous voyons. Pensons par exemple \u00e0 l’Annonciation de Simone Martini, de 1333, o\u00f9 l’Ange est v\u00eatu de tissu \u00e9cossais. Ce choix n’\u00e9tait pas anodin : la peinture \u00e9tait destin\u00e9e \u00e0 la Cath\u00e9drale de Sienne, qui entretenait des liens commerciaux avec l’\u00c9cosse. L’art servait alors \u00e0 magnifier la richesse et l’opulence d’un lieu.<\/p>\n","protected":false},"excerpt":{"rendered":"

L’Adoration des Mages de Gentile da Fabriano est indubitablement l’un des tableaux incontournables de la Galerie des Statues et des Peintures de Florence (Galerie des Offices). Avec ses riches dorures,…<\/p>\n","protected":false},"author":1,"featured_media":1784,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[48],"tags":[],"class_list":["post-1875","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chefs-oeuvre-art"],"acf":[],"yoast_head":"\nOeuvre d\u2019art: L'Adoration des Mages de Gentile da Fabriano - Fiammetta Michelacci<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fiammettamichelacci.com\/fr\/oeuvre-dart-ladoration-des-mages-de-gentile-da-fabriano\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Oeuvre d\u2019art: L'Adoration des Mages de Gentile da Fabriano - Fiammetta Michelacci\" \/>\n<meta property=\"og:description\" content=\"L’Adoration des Mages de Gentile da Fabriano est indubitablement l’un des tableaux incontournables de la Galerie des Statues et des Peintures de Florence (Galerie des Offices). 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